[ GUNST ]

quiet noisy talk show
radia #455: the quiet noisy interview + radia #258: algorhythmic noises
[pls. scroll down for english version]

geräusche geben den ton und den rhythmus für diese radiokunststunde an. in der man zudem einiges über ihre klanglichen und poetischen qualitäten erfahren kann.

zunächst in einem gespräch, das dieter van dam mit dem amerikanischen kulturhistoriker hillel schwartz führt, der 2011 ein buch zum thema veröffentlicht hat. im anschluss führen shintaro miyazaki und michael chinen vom institute for algorhythmics schwartz' überlegungen am beispiel der geräusche weiter aus, die unsere digitalen gadgets – mobiltelefone, lapptops, computer – produzieren.

credits und hintergrundinformationen: siehe unten

[english]

noises are setting the tone and the rhythm for this hour of art radio and radio art – consisting of two lessons about the sound and the poetic qualities of noise(s).

first there is a quiet noisy talk: an interview by dieter van dam with the american historian hillel schwartz – author of the must-read "The Culture of the Copy" (New York: Zone Books, 1996) – who has written a wonderful book about noise (Making noise. From Babel to the big bang and beyond. New York, Zone Books, 2011).

afterwards, shintaro miyazaki and michael chinen from the institute for algorhythmics continue with putting schwartz' considerations into practical media archeology:

"'algoRHYTHMIC noise of our everyday gadgets' consists of a study with short snippets of audio examples about audificated processes of our everyday gadgets like our cell phones, cameras, smart phones and laptops. ausculations no. 1 to 16 are made by using a electromagnetic coil, no. 17 to 19 are made by audification processes of assembly code on software side (formal materiality) and ausculations no. 20 to 23 are produced with a HF-detector.

'algoRHYTHMIC noise of our everyday gadgets' is also a preliminary work for a more elaborated project about a 'sonic archeology of advanced everyday technologies'. archeology is meant following michel foucault's notion of thinking that we – when looking for meanings of things, but also their history – need to look not only for documents, but also for monuments. this means that the materiality of things and their physical effects should be investigated not only on the surface, but by 'digging deeper into' things or processes and by revealing and explaining the inner structures of black boxes. therefore we think that archeology is a more sophisticated term for hacking." [the institute for algorghythmics/michael chinen & shintaro miyazaki]

michael chinen (*1982) is a programmer and musician. He studied composition & computer science at university of washington, seattle/washinton state, electro-acoustic music at dartmouth college and was research student at tokyo denki university. lately he moved to berlin with the Fulbright research grant for wavefield synthesis at technische universität berlin.

shintaro miyazaki (*1980) is a theorist, artist and curator. he studied media studies, philosophy and musicology in basel, switzerland and is currently a PhD researcher at humboldt university berlin under prof. wolfgang ernst, holding a scholarship of the "cogito foundation". in 2008 he founded the “institute for algorhythmics”. find more info at www.algorhythmics.com

credits:
miss.gunst would like to thank the following artists and sound collectors:
jovica for the space machine, corsica s for some beautiful radiator sounds;
hillel schwartz and dieter van dam as well as shintaro miyazaki and michael chinen from the institute for algorhythmics for insight into the culture(s) of noise(s);
as well as radia.fm radio art network for being a crowd of incredibly creative partners.

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