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[[o]] GUNSTprojekt: HISTORY EXHAUSTION von | by francis hunger (radia #273)

HISTORY EXHAUSTION von | by francis hunger (radia #273)

today we'll take a trip to the zone. no no man's land. but nevertheless lost.

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[[o]] GUNSTprojekt: PLAYGROUND : ART GAMES von | by miss.gunst (radia #243)

PLAYGROUND : ART GAMES von | by miss.gunst (radia #243)

join miss.gunst on the playground and enjoy a set of games playing with the rules of art!

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[[o]] GUNSTprojekt: COUNTING YEARS von | by Jörg Köppl & Peter Zacek (radia #215)

COUNTING YEARS von | by Jörg Köppl & Peter Zacek (radia #215)

"counting years" is based on a radio and sound art project that took place in 2007 in amman, the capital city of jordan, in the framework of "no condition is permament" – an art project in public space initiated by the swiss artist rayelle niemann. it is for the first time that ammann encouners interventions in public space, conducted by artists from jordan, egypt, palestine, lebanon, and switzerland.

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[[o]] GUNSTprojekt | GUNSTproject: ad sanctos, apud ecclesiam

ad sanctos, apud ecclesiamad sanctos, apud ecclesiam

"ad sanctos, apud ecclesiam. eine predigt zur kunst" ("ad sanctos, apud eccesiam. a sermon on art") was released in 2000 as a lecture/performance and later transformed into a hypertext format.
the subject of the sermon are the parallels between the perception (and production) of "the saint" and the perception (and production) of "the artist" in society.

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[[o]] GUNSTprojekt | GUNSTproject: encyclopedia of stolen ideas

encyclopedia of stolen ideasencyclopedia of stolen ideas

Who owns ideas? Can ideas be owned – just like material things? Obviously, the notion of "ownership" is quite problematic in this context.

The "encyclopedia of stolen ideas" is an online platform to reflect upon these issues.

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[[o]] GUNSTprojekt | GUNSTproject: panem@circenses

panem@circensespanem@circenses

"panem@circenses" (or in short: p@c) deals with the operating system(s) of art in the society. it is conceived as an online infobase and learning platform. the basic structure delivers a set of terms stemming from the roman circus (as a site created for the amusement of the plebs), each of which is set in parallel to one part of the system of contemporary art.

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[[o]] GUNSTprojekt | GUNSTproject: VIATICO (viatico arte per i bambini)

VIATICOVIATICO (viatico arte per i bambini)

VIATICO (viatico arte per i bambini | viatico arte for children) was my contribution to the third part of the exhibition project "VIATICO DI ARTE E CRITICA", that opened wednesday, the 1st of march 2000 at the CHANGE studio d'arte contemporanea / associazione culturale project room at Rome, Italy.

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[[o]] GUNSTprojekt | GUNSTproject: homepage

g_hpage.gifhomepage

with [homepage] miss.gunst followed an invitation by haegue yang to participate in her exhibition project "triviality. dilettantism as artistic competence" ("trivialität; dilettantismus als künstlerische kompetenz"), a show situated in te meso studios for which the artist had asked colleagues and friends from different fields of profession for contributions on the issue of "self-display".

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[[o]] GUNSTprojekt | GUNSTproject: ART IS BEAUTIFUL!

ART IS BEAUTIFUL!ART IS BEAUTIFUL!

ART IS BEAUTIFUL! was a leaflet released in occasion of the Old Boys Networking Workshop, part of the programme "suck my code. Performing cyberfeminism" curated in course of the 8th International Performance Conference "networking / meeting", Frankfurt am Main, 13.05.- 16.05.1999.

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[[o]] GUNSTprojekt: high-q lose | GUNSTproject: high-q sorts

no image availabehigh-q lose | high-q sorts

[high-q sorts] are formatted like traditional sorts: small sheets of paper are rolled and then tied with a tiny piece of string. in this case each sort contains a haiku poem buit on the basis of claims found in magazine ads for computer hardware, software, and gadgets.

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