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((o)) GUNSTradio – 15.02.2013 – RadioGarten : DatenGarten | RadioGarden : DataGarden
RadioGarten : DatenGarten | RadioGarden : DataGarden
Wild grows the green. Yet following rules, measures, numbers. Taking a walk through the DataGarden we'll learn more about the algorithic beauty of plants. Biology meets mathematics, informatics meets art.
((o)) radiator x – 130131 – wolves
wolves
radia #407: out come the wolves + radia #158: greenland
to howl with the wolves. do we want that? really? well: let us try. thus we move with nicolas perret and cédric anglaret to an isolated village in karelia.
((o)) radiator x – 130117 – time machines
time machines
radia #404: the time sound machine + radia #373: UFO time machine
travelling with the time machine. or, to be precise: two time machines.
however, they share an important feature. for they are both driven with a special fuel: sound.
((o)) radiator x – 121227 – naturally
naturally
radia #400: a radia present + radia #285: hirondelle
wintertime has begun just a week ago – yet nature is humming. not only due to the mild climate. hartmut geerken has made a present for us, with bavarian bumblebees swarming out into the air.
((o)) GUNSTradio – 21.12.2012 – endzeit | end of time
endzeit
can we imagine the end of time? hardly. for this would be the end of the world as we know it. yet – and probably for this very reason – some people seem to like this idea. if there is a precise date for the count-down: even better!
((o)) radiator x – 121129 – cage centennial
cage centennial
radia #396: some thing(s) from john cage + radia #345: lascia o radoppia?
in occasion of the cage-centennial: a birthday radio art hour for john cage.
((o)) GUNSTradio – 16.11.2012 – null uhr | zero hour
null uhr | zero hour
zero hour. a ghost(ly) hour – even when an atomic clock is counting the minutes with minute precision. but who knows: perhaps it's the ghost in the machine making not only this very hour, but the counting of time uncanny indeed?
with her time piece "zero hour" canadian sound and radio artist anna friz presents – in turn – a minute response…
((o)) radiator x – 121115 – nostalghia paths
nostalghia paths
radia #393: viandanti (nostalghia paths, homage to andrei tarkovsky) + radia #122: it all disappeared
paths (in)to nostalghia.
[[:]] Datscha-Radio: Dokumentation & Archiv | Documentation & Archive
Dokumentation & Archiv | Documentation & Archive
Well, a garden needs a lot of work. And time. Of which we'd need definitely more. While the summer's harvest has still to be sorted and stored for later consume, the next season is already knocking at our door…
((o)) GUNSTradio – 21.09.2012 – RadioRhizomE: Rohstoff Recycling | Materials Recovery
Ernst Karel: Materials Recovery Facility
The alchemy of everyday. In our (post-)industrial society, there's quite a lot if stuff that won't go to the compost – yet can provide precious material resources. How does this sound? Let us follow Ernst Karel to a matreials recovery facility in Charlestown, Massachusetts…
RadioRhizomE: Rohstoff Recycling | Materials Recovery is a guest show from mobile radio, originally broadcasted as part of mobile radio BSP, mobile radio's programme for the Sao Paulo Art Biennial 2012.
mobile radio is a project by Sarah Washington and Knut Aufermann.
Ernst Karel's "Materials Recovery Facility" is a stereophonic field recording of a materials recovery unit based in Charlestown, Massachusetts. The audio has been recorded in January 2011. A first edition of the piece has been created in 2012 for Sensate. A Journal for Experiments in Critical Media Practice, where it is to be experienced online as part of the special collection "Return to the unseen 2.0".
Ernst Karel is a cultural anthropologist, sound collector, musician and composer. He is currently based in Camebridge, Massachusetts, where he he's lecturer in anthropology at Harvard University and manages the Sensory Ehnography Lab.*
Credits:
miss.gunst would like to thank Ernst Karel for his wonderful piece; Knut Aufermann and Sarah Wahington for not only being great radio artist, but also relentless radio art networkers; acclitvity for donating a part of his garden to freesound.org, from where we lent a part of the meadow (including the birds in the trees) for the intro part of our show; and last but not least freesound.org for being such a great resource of hq field recordings.
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